Ewa Bartosz Mazus


Ewa Bartosz Mazus

埃娃·巴托什·马祖斯

艺术家简介 Artist Biography

Motto


Woven tapestries and fiber art is an expression of my inner world based on my observations and perceptions of the world that surrounds me. Experimenting with fiber and different materials extends searching for my own language with the world and broadens the knowledge of techniques related to the art of fiber.

My art is open to interpretation; interpretation of nature, artistic expression, searching for abstract topics in nature.

Weaving and contact with fiber bring me closer to nature.

艺术理念


编织挂毯和纤维艺术是基于我对周围世界的观察和感知,是我内心世界的一种表达。对纤维和不同材料的实验扩展了寻找我自己与世界的语言,并扩大了与纤维艺术有关的技术知识。

我的艺术是开放的;对自然的解释,艺术的表达,在自然中寻找抽象的主题。

编织和与纤维的接触使我更接近自然。

Light Gravity

光的引力


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名称:光的引力

尺寸:130cm x 50cm x 30cm

光的浓度集中在构图的中心,通过物质的光向外扩散手臂振动,触及整个。通过它所包含的空间元素/矩阵中的凹、凸、空,它们互相过来,接触到纬线和经线的界限。织物在其单色中含有丰富的在其单色中,通过从光到影的丰富过渡,包含了丰富的色彩。

它所包含的纹理结构的差异,满足了额外空间的形式。

该作品呈现出三联画的形式。

Title:Light Gravity

Size: 130cm x 50cm x 30cm The concentration of light focuses on the center of the composition, which vibrates through the light of matter spreads arms outward, touching the entirety. Through the elements of the space contained in it / concavity, convexity, and emptiness in the matrix they come over each other, touching the weft and warp boundaries. The fabric contains fullness of

color in its monochrome, through the richness of transitions from light to shadow.

The differences in the texture structure contained in it, fulfill the form of additional space.

The composition states the form of a triptych.

The depositary of the past

过去的保存者


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"过去的保存者" 215cm 4块板,每块29cm

我的作品由第四部分组成。

它是在一个黑色的镂空画布上的拼贴画。

这件作品最重要的元素是白色的圆圈,上面有精致的线。

由白色刺绣制成。

形成了一个柔和、精致的背景。

这件作品的第四部分就像我生命中的阶段。

白色的圆圈是飞舞的蒲公英,我把我的童年放入其中。

“The depositary of the past” 215cm 4 panels 29cm each

My work consists of the fourth part.

It is a collage made on a black openwork canvas.

The most important elements of this work are white circles with delicate threads.

Made of white embroidery.

Creates a soft, delicate background.

The fourth part of this work is like stages in my life.

The white circles are flying dandelions into which I placed my childhood.

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