I like to observe. People, their shapes and faces have a strong influence on me. I feel the physical presence of others strongly in my body - the body mass and tension. Over the years, as an epee, I developed the ability to sense the intentions of a masked person standing in front of me. Now the problems of the body, its plasticity, movement and connotation inspire me to create.

I choose sculpture as my medium because it doesn't fawn at the audience or scream for attention. It is against current speed and change. It brings peace.

The photographed bas-reliefs are made of plaster and materials such as string or sand. The laborious, hand-made sculptural form preserved in the form of a poster corresponds to the theme of suspended determination, stopped preparations.

I create my works step by step, in a physical encounter with matter: I prepare them at the beginning in plasticine, then they require removing silicone molds, plaster mold casting, and finally they have to be strengthened with jute.

At the end, the bas-reliefs are refined in plaster and composed with other materials.

我喜欢观察。人，他们的外形和面孔对我有很大的影响。我在身体上强烈地感受到他人的存在--身体的质量和张力。多年来，作为一个重剑手，我发展了感知站在我面前的蒙面人的意图的能力。现在，身体的问题，它的可塑性，运动和内涵激发了我的创作。

我选择雕塑作为我的媒介，因为它不向观众献媚，也不叫嚣着要关注。它反对当前的速度和变化。它带来了和平。

照片上的浮雕是由石膏和绳子或沙子等材料制成。以海报形式保存的费力的、手工制作的雕塑形式与暂停的决心、停止的准备的主题相一致。

我一步一步地创造我的作品，在与物质的物理接触中。我在一开始就用塑化剂准备它们，然后它们需要移除硅胶模具、石膏模具铸造，最后它们必须用黄麻加固。



最后，浮雕在石膏中被精炼，并与其他材料一起组成。

“Sitting” concrete

"坐着的 "

“Noolympics” bas-relief poster for Olympics

奥运会浮雕海报“Noolympics”

From series “Noolympics” Running Track

来自于 "奥林匹克 "系列的跑道