Wu Ri Lu Ge

她的绘画创作研究源自自身艺术实践及对综合材料绘画的认知，把客观对象纳入自我的体验成为个体心中的某种存在，而非脱离主体存在的物。她的作品不是由形式到形式，而是由形式到精神，又由精神到形式，这是一个不断求证与反复的过程。通过对自然与生活的体悟，绘画创作不再局限于客观物象与光影之间的关系，而是赋予物象一种精神意识。让作品气质沉静又不乏阔远。

Her research on painting creation originates from her own art practice and her knowledge of mixed media painting, incorporating objective objects into her own experience to become some kind of existence in her mind, rather than objects that are separate from the subject's existence. Her works are not from form to form, but from form to spirit, and from spirit to form, which is a process of constant proof and repetition. Through her perception of nature and life, her paintings are no longer limited to the relationship between objective objects and light and shadow, but rather give them a spiritual consciousness. The works have a quiet yet far-reaching quality.

她的作品中没有具体场景，没有具体人物，但依然可以感觉这种时空似曾相识。因为将许多感同身受的体验、记忆都融入了自己的绘画寓意之中。正是这种体验和表达，使得观者内心的共识足以跨越南北、民族等的壁垒，展现出当下画家的精神状态。她的绘画拓宽了“真实”的边界，看似不经意中，却可以看见画面粗犷不失严谨，随意不失法度的悉心控制，在挥洒自如地涂抹中非常注重生活感悟，注重瞬间灵感的捕捉，使画面处处蕴含着自然精神。

There are no specific scenes or characters in her works, but one can still feel the déjà vu of this time and space. This is because many empathetic experiences and memories are incorporated into the allegory of her paintings. It is this experience and expression that makes the viewer's inner consensus sufficient to cross the barriers of North and South, ethnicity, etc., and reveal the spiritual state of the painter at present. Her paintings broaden the boundary of "reality", and seemingly without thinking, one can see the careful control of the picture in a rough but rigorous, casual but legalistic way, paying much attention to the perception of life and the capture of instant inspiration in the free and spontaneous painting, so that the picture contains the spirit of nature everywhere.