露西亚·瓦列霍

《沉默的女人》是一篇无声的宣言，表达了对在漫长的历史中一直处于沉默地位的女性的认可。带有图案的亚麻布，微妙的褶皱，勾勒出女性身体的古典美，这个作品灵感来自希腊女像柱。她蒙着面纱，被隐藏起来。

在《沉默的女人》中人物形象代表了了生活中的痛苦，并非表达理想的人，而是反映了人的脆弱。这里的人物不是一张脸，它的个性取决于观看者被要求与作品互动时的个人反思：这些女人有自己的名字吗？你认识她们吗？你还记得她们吗？有多少人被迫隐姓埋名？ ...

WOMEN IN SILECIO is presented as a silent manifesto. A recognition of women who for generations have been part of a quiet history. 

Patterned linens, subtle folds, draw the body of a woman of classic beauty, inspired by the Greek caryatids. This time her face is veiled, hidden. It is the veil that demands a look beyond the physical, beyond any archetype of immovable proportions as the only value of femininity. It is the look at centuries of silenced intellects.

作品是艺术家为拉萨罗·加尔迪亚诺博物馆的“永恒的图片”展览而制作的装置艺术作品。它将抽象与具象、古典与当代艺术融合在一起，为观众提供了超越作品物质性的审美体验。

她的作品扩展和解放了画布的物质性并恢复了这种织物的表现力，使二维图画成为一个三维对象。她的作品用撕碎的布料，并通过折叠扭曲它们来塑造作品，类似装置作品可在拉萨罗博物馆、“La Fragua”空间、Tabacalera或者Pilar Serra画廊欣赏到。艺术家的灵感来自古典艺术，包括古希腊雕塑艺术及17世纪艺术家如苏巴朗、卡拉瓦乔、范·德·韦登、杨·凡·艾克、弗拉·安杰利科等。她分析了这些作品的颜色、纹理，分解绘画细节，从他们的创作中生成她的创作。她对生命、死亡、痛苦、恐惧、孤独等情感深感兴趣，试图通过她的作品激起人们对永恒的意义，以及永恒影像的思考。

The "Inferno" is an installation that was made for the Lázaro Galdiano Museum for the exhibition Eternity. Pictures forever? which brings together a fortnight of pieces where the abstract and the figurative, classical and contemporary art come together, offering the viewer an aesthetic experience that transcends the materiality of the works.

Lucía Vallejo's work is linked to the movement of the decomposition of painting, in which she expands and releases the materiality of the canvas, thus recovering the expressive potential of its nature as a fabric. The painting leaves its two-dimensional condition to become a three-dimensional object. She began tearing the fabrics and in a short time went on to fold and twist them, sculpting the void to later create installations such as the one offered by the Lázaro Galdiano Museum, which could be seen in the “La Fragua” space in Tabacalera or in the Pilar Serra Gallery. Lucía Vallejo's inspiration is in classical art, from Greek sculpture to seventeenth-century artists such as Zurbarán or Caravaggio, passing through Van der Weyden, Jan van Eyck or Fra Angélico; she analyzes the color, the textures, the compositions to abstract and decompose details of the paintings, generating, from them, her creations. She is interested in life, death, pain, fear, loneliness ... and tries, through her works, to provoke reflection. That's what Eternity is about. Pictures forever?